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Eden Hason show at Menorah Arena lit with Claypaky

A large complement of Claypaky lighting fixtures played a key role in the recent performance of Israeli singer-songwriter Eden Hason at Menorah Arena, Tel Aviv. Sincopa Ltd provided lighting designer Alon Shnaiderman with 160 Claypaky Sharpys, 70 Midi-Bs and 24 Scenius Unicos for the rig illuminating Hason, who is known for pop and Mizrahi music, which combines elements from the Middle East, North Africa and Europe.

The show had an emotional and powerful message with the artist sharing his personal journey with the audience and using the event to raise awareness of the ongoing war and hostage crisis. “The performance marked a defining moment in Eden Hason’s career”, says Shnaiderman. “For years, he kept his true self hidden, but the moment he opened his heart to the world he felt an incredible closeness to his audience and those around him. There was a newfound sense of openness allowing him to connect more deeply and authentically with everyone. This night was not just a performance, it was a celebration of truth, love and unity.”

“The lighting and stage design needed to enhance Eden’s performance while also conveying a strong narrative”, continues Shnaiderman. “The goal was to use lighting, video content and effects to create a journey starting from an intimate and raw opening, building to powerful musical moments and concluding with a grand and emotional finale.”

Shnaiderman took a multi-layered approach to the lighting incorporating powerful beams, soft washes and intricate pixel mapping. A large-scale LED screen setup, combined with 150 m of SMD Strip LED, was used to create immersive visual storytelling; fire effects, confetti and lasers added to the energy and the lighting and stage design were synchronized with the choreography, music and storytelling elements. Overall, the goal was to create a futuristic yet emotionally engaging atmosphere.

“The Claypaky fixtures played a crucial role in defining the overall look and impact of the show”, says Shnaiderman. The Sharpys were positioned on the stage floor and overhead trusses to create dynamic aerial effects and layered beams. The Midi-Bs were mounted in overhead trusses and at side lighting positions to provide rich color washes and precise movement, which were essential for enhancing the depth of the stage. The Scenius Unicos were placed in strategic locations to deliver key lighting and effects that enhanced the artist and the visual depth of the stage - the hybrid fixture’s beams, washes and gobo effects provided both dramatic and subtle lighting transitions.

“The Claypaky team provided valuable technical insights during pre-production, ensuring that we maximized the potential of the fixtures”, notes Shnaiderman, adding that “the integration of advanced technology, such as the Chamsys MQ500M consoles, ensured full control over the visual experience.”

The show’s stage design was by Amir Cohen, the choreography by Mor Hamami. Yair Goren and Meir Kabalo were responsible for the sound. Koren Bar (VJ), Eitan Ashkenazi (Camera direction), Mega Night (Pyrotechnics), Clean LED (LED screens) and LED Art (SMD Strip LED) also contributed to the show. Production was by Sarit Production Ltd.

(Photos: Ariel Efron Photography/Omri Silver/Nadav Tzur)

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